
Shapeshifty
An embodied publication shifting between between protective armour and safety blanket, magazine and garment, and human and mythological creature.... more
An embodied publication shifting between between protective armour and safety blanket, magazine and garment, and human and mythological creature.... more
An essay reflecting upon literal and metaphorical modes of mending as an artist and educator.... more
An expanded publication in the form of a semipermeable curtain and website for the Artists’ Book Library, Tai Kwun, Hong Kong.... more
In this iteration of Thunderclap, the show was set up as part-shop, part-sewing workshop and part-exhibition. Thunderclap employs steganography to publicly redistribute the erased work of Chinese anarcho-feminist He-Yin Zhen (1886–1920) through the medium of clothing accessories.... more
A collaborative project together with my mother, Maria Ling Huang. Using the unclaimed garments left by the customers of my mothers dry cleaning and alteration shop, we repurposed them into backpacks.... more
A talk and short workshop on mending ruptures.... more
A talk and short workshop on mending as a practice of interdependency.... more
The exhibition Hutong Whispers is a steganographic catalogue of steganographic publishing projects camouflaged as a laundry line.... more
‘Thunderclap’ is a steganographic zine, that piggybacks on fashion accessories to publicly distribute the suppressed writings of Chinese anarcho-feminist, He-Yin Zhen (1886-1920).... more
Thunderclap taking the cover of a blanket, literally speaking, but also figuratively as an unsuspecting agent that can smuggle and ‘air out’ private information into the public space.... more