Where No Flag Has Gone Before was a live blue-screen studio installation offered visitors of the exhibition the chance to reenact their own glorious moment of the first planting of the American flag on the surface of the moon. The end-product of the installation was a distilled extract of the whole experience, simultaneously serving as its documentation in video form.... more
If a machine inevitability embodies its inventors' desires, my rhetorical question is can it free itself from its' masters reign? What would technology be without desire? Can you strip it away, and if so would that equal to liberation, autonomy or even self-consciousness?... more
Initiated by Alina Parigger and myself, Holy Crap was a participatory happening where discarded material was turned into divine altars. The space was open to the public and workshops were held for the... more
Daylife Uncensored springs from my thesis Dimensions of Censorship and further investigates the notion of media censorship. Drawing from Foucault's rejection of the duality of freedom/repression, this work aims to avoid taking the 'either/or' binary approach in this complex and controversial topic.... more
Meditations on the Indranet follows the philosophical Buddhist metaphor 'Net of Indra' in which Indra's celestial Net is used as a model of our interconnected universe. This imperial net is made of all jewels. Each eye of the net is a jewelyou can think of them as nodes.... more
Exhibition design for 'Fields of [Inter]action', part of the exhibition ‘A better world, Another power’ in the Netherlands Architecture Institute (NAi) Rotterdam, at the Architecture Biennale...... more
