Dear Ursula is in the semi-permanent exhibition Kruispunt Rotterdam until 2027, where my work is dialogue with the museum’s collection of joss paper. It serves as a kind of dialogue between then and now, near and far.... more
Developed during a residency at Plaatsmaken, poet Hannah Chris Lomans and artist Amy Suo Wu began their process by exploring how they could reconnect with their bodies as intentional modes of resisting and surviving the structural and intimate violences of ‘White Supremacist Capitalist [Heteronormative] Patriarchy’ and the wounds they leave on the body... more
This installation began as a series of informal gatherings which took place over the winter of 2020: part sleepover, part social-practice art, part ‘diasporadic’ coven, and part study group.... more
An intergenerational mending practice two years in the making, between my mother Maria Ling Qing Huang and myself.... more
An expanded publication in the form of a semipermeable curtain and website for the Artists’ Book Library, Tai Kwun, Hong Kong.... more
In this iteration of Thunderclap, the show was set up as part-shop, part-sewing workshop and part-exhibition. Thunderclap employs steganography to publicly redistribute the erased work of Chinese anarcho-feminist He-Yin Zhen (1886–1920) through the medium of clothing accessories.... more
The exhibition Hutong Whispers is a steganographic catalogue of steganographic publishing projects camouflaged as a laundry line.... more
Departing from the rumour that during WWII the artist Wassily Kandinksy was recruited by the British Intelligence to smuggle secret communication by encoding it into his abstract, systematic and symbolic artworks, The Kandinsky Collective exhibition explores the subversive potential of using the formal language of art as a means to embed hidden messages.... more
TLTRNW (Too Long To Read And Write) is a thought experiment that envisions new breeds of languages by exploring stenography (shorthand), symbolic compressions of language and it's relationship to... more
In the non-commercial section of Art Rotterdam 2015, artist Reinaart Vanhoe ran a xerox copy-and-paste-DIY bookmaking workspace called "My booth is your booth". Kimmy Spreeuwenberg and I were invited to participate and present our work called "My JSTOR is your JSTOR".... more
