2022
This installation began as a series of informal gatherings which took place over the winter of 2020: part sleepover, part social-practice art, part ‘diasporadic’ coven, and part study... more
2021
An embodied publication shifting between between protective armour and safety blanket, magazine and garment, and human and mythological creature.
An intergenerational mending practice two years in the making, between my mother Maria Ling Qing Huang and myself.
Paper replicas of the life-sized joss paper dresses were ritualistically burnt in an attempt to connect me to the past, present, and future, through gestures that I have come to understand as... more
An essay reflecting upon literal and metaphorical modes of mending as an artist and educator.
A three-part aural brew and online grimoire that casts its gaze out from a closed-door coven of potluck workshops + secret societies + spa retreats + fests of slumber (aka …pwsssrfs…) that took... more
2020
A Meditation on Skin and Care and its Interconnecting Tissues. Created by Elaine W. Ho and myself for the PWSSSRFS series at Motel Spatie over the winter of 2020, while incidents of racism against... more
2019
The book is an introduction to analog steganography, a type of secret writing that is hidden in plain sight. It is an invisible ink colouring book, recipe book, puzzle book and artistic research... more
In this iteration of Thunderclap, the show was set up as part-shop, part-sewing workshop and part-exhibition. Thunderclap employs... more
A collaborative project together with my mother, Maria Ling Huang. Using the unclaimed garments left by the customers of my mothers dry cleaning and alteration shop, we repurposed them into... more
